Search This Blog

Loading...

Tuesday, December 1, 2015

Another early shot has come to life - my first job out of art school, 1966 at Myer Advertising Department


Second from the right, front row - in sneakers with the swept fringe. I started as a cadet, learnt every job in the place and left to freelance as an art director at Carrigans two years later. My tutor and boss was Max Fulcher who is still in touch, every one of these creative & production people made an impression on me that has stayed with me for 48 years since the shot was taken. Sadly many have passed away but four are still in contact on FB and there is a M.A.D. MATES private page there as well . . .
Max writes his Myer history:
A BRIEF HISTORY
I joined in 1956 as assistant advertising manager under John Strathen, before Myer purchase. Staff of three. We worked in a small area adjacent to the main office on the third floor. Left to join Farmer's in Sydney and returned two years later after the Myer purchase when it was deemed someone with Sydney experience was needed to assist Strathen.

I had secured my old job for Paul Jones before I left for Sydney. On my return I was again made assistant advertising manager and Paul worked alongside me. Della Tolhurst from Sydney was the first full time copywriter and some 15 years later married Strathen.

He resigned 1956 and I was appointed (temporary) Ad Manager. Appointed Advertising manager after three months. Paul continued to work as Assistant Ad Manager until he left to join Allan & Stark in Queen Street. 

My first employee was Patricia Mortimer 50s (vale) as the first Art/Production Manager. Quickly followed David Nicholson 50s, Ray Lloyd 50s, Bruce Knowles 50s, Alec Smith 50s, Brian Patterson 60s, Glenda Southward 60s (first fashion/photography co-ordiator). Neil Frampton 50s, Jan Noble 50s, Wendy Kadell 60s (vale) was first freelance fashion artist, Bob Aird 50s (freelance Menswear). George Hazard 50s and Arch (and Geraldine) Kettle 60s also important art contributors. Harry Poulsen's CamaraCraft 50s was major photography studio (he employed my sister Gem Fulcher). Geoff Dauth and Barry Green 60s were also freelance photographers. Dagmar Dawson 50s (freelance layout), Les Brown 50s, Desmond Hughes 50s (Publicity).

Myer purchased Allan & Stark (and Chermside Shopping Centre) and (soon to be a group of five Queensland stores) decided that group buying (therefore selling) was the was to go. Paul Jones and his team (which included Donagh (Pye) Lytsas were brought into the Myer/McWhirter group. I was appointed Myer Advertising Manager (Qld) Group.

Paul Jones and Bruce Knowles left to open the Jones Knowles advertising agency. Adrian Buchanan (mentioned below) later joined them.

New staff was added and numbers grew. John Drury 60s (vale), Bob Stonier 60s, Barry Hollahan 50s, John Hallet 60s, Lyra Kohn 60s, Adrian Buchanan 60s, David Schacher 60s (vale), Helen Newman 60s, David Lanham 60s, Bob Murray 60s, Jan Prior 60s, Jeanette McGann 60s (transferred in from Myer Melborne), Wendy Green 60s, Rosemary Bertell 60s, Brian Patterson 60s (Broadcast), Fred Pettingel 60s (Print Production), Mary Brewster 60s (secretary), Bob Walpole, 60s Anne Leroy 60s, Malcolm Enright 60s – so many more. 

The original office was too small and public. I discovered the old two story water tower on McWhirters rooftop and convinced Harold Fielding (Chairman McWhirters and then Myer Qld) it could make a suitable (creative) atmosphere for the ad department. Display Manager Mervyn Laffey drew up plans and in 1961 we moved rooftop. No covered walkway so we entered building through rain, hail, biting winds, ROUGH. The Rooftop Carnival was created each year for Christmas and New Year trading. We fought our way through droves of children on swings and roundabouts – a steam train – with loud Christmas carols blaring. Some creativity!

Harold Fielding and the Myer family decided that (rather than taking me into Myer Melbourne) i should travel on an extended USA trip to investigate group advertising. Away four months. New York World Fair (1964), Macy's, Bloomingdales, Hudson (Detroit), Marshall Field's (Chicago), Bloomingdales and B.Altman and Co (5th Avenue New York). Trip of a lifetime.

Returned 1964. Created Director of Myer (Qld) Board, remained three years and left to purchase advertising agency W.B. Lawrence Advertising (Sydney) in 1967. Replaced by Frank Somerville (vale) who was later replaced by Alec Smith (vale).


Sunday, November 29, 2015

An old photo just surfaced today and sent to me from my first wife, Janis Enright


From the age of eleven I worked Saturdays at Harcourt Howard's antique shop at the Albion and then at his home at Denham Street Clayfield, in Brisbane.
I learned the trade that was buying and selling but more importantly, I learned that research and restoration were the two most important elements to success.
I was far more inclined towards collecting than trading and was also more focused on a design career. Dealers it seemed to me were always at each other's throats and scheming to devise ways of extracting key pieces from households they had entree to.
I can't remember the cat in the pic, he had so many.
Harcourt was a generous man with his time and knowledge, there was no area of the house 'out-of-bounds' to me. This trained me to be scrupulously honest or else . . .
His wife Elsie had passed away by this time, she was a medium in the "Spiritualist Church" and was trained by my GrandMother on my Father's side - Annabell Enright.
I can see that this was after Harcourt's stroke as his right hand was affected, still although his speech did return to normal.
I was so chuffed to see this lost image, again - Love you Harkie (and Janis)!

Saturday, November 21, 2015

My O and X images have been off the boil - a few newies:

My shot yesterday - my sister's daughter's son (Blayde) comes to the studio Thursdays as he is interested in learning hand skills associated with his model building. He is useless for the next two to three weeks - (the most important time of the year), preparation time downhill to studio Christmas sale.

From @cottageindustrystore in my InstaG account

From @sibellacourt in my InstaG account

From @mattjt on my InstaG account





Saturday, November 7, 2015

Our jewellery studio isn't an actual shop with a shingle anymore

Our favourite 'shop shingle' that I have on hand to make should we ever start a "shop" again. Almost a circle and a cross in that skillet, eh?


Monday, November 2, 2015

Tuesday, October 27, 2015

Another (found) O and an X

This Japanese graphic came with our new A3+ colour printer by OKI, the unit is fantastic but . . .


. . . I have to admit though, that it is surely a modern graphic produced by a secretary . . . and a publishing application. It surely didn't arrive into this world from an informed brief to a designer, who designed the page and in turn briefed an illustrator and then did finished art to complete the job.
But then I'm a grumpy old retired designer!

Three Australian colonial photographers, missing from my collection (until now) . . .

Daniel Marquis, Brisbane - W.A. Smith, Maryborough - H.G. Liversey, Queensland amongst nearly forty   Cartes-de-visite I found at a local garage sale last Saturday. On searching for additional info on these photographers, I came across a web resource by an old friend, architect and fellow AGHS member - Peter Marquis-Kyle - go here.
This next card is larger 4"x61/2" mounted on Trimmed board:





Sunday, October 11, 2015

Two sketched works by George Morland, original frames and back boards with signatures and now all cleaned and refreshed, in the urban_archaeology collection

These came to us from Michael Allen Antiques who was responsible for dismantling Lesbia Dobson's life-long collection in Brisbane, recently. Her collection manifest had them as "emanating from Tasmania", numbered 92 a and b on the back of the frames, apparently they were also cleaned and mounted in the 1970s. Well, when we opened the frames and peeled back the mounts we found on the reverse - a title on one (My Son! My Son!) and a signature (Morland) on the other. The frames are all one piece with later gilded partial fillet and burr walnut veneers in the late 18th century style. Once I cleaned off all the adhesive tape I found three written Morlands with one, a heavily impressed Morland in his handwriting style. I hand-scraped off the 1970s brushed gold that had spilled onto the veneer and had then both museum mounted with UV glass. I waxed and buffed the frames also.

George Morland has a wonderful history be it both artistically 'hard working' and self obsessed "hard drinking" - do spend the time to click on the link. Morland was born 26 June 1763 in London and passed away in Brighton 29 October 1804, he was an important English painter of animals and rustic scenes. One great picture I have as a high-res version is in the Philidelphia Art Museum - here. It is easily evident that these are both from his hand, the original frames and signatures are also helpful as art history tells us he was heavily copied - although his output was also great in number even in his later life in and out of the poor houses . . .


Titled on the reverse - My Son! My Son!

Titled on the reverse is the Morland signature


A correct Morland signature in deep pencil on the pack panel of the frame, this is prior to removing the tape adhesive. These back panels are both roughly pit sawn panels.





Saturday, October 3, 2015

I found what I want for Christmas


They are ticketed at A$14,000.00 and now in the window at LaTrobe Antiques at the Grange in Brisbane. Thomas Chippendale's 'Director' has these girendoles illustrated. They aren't mid 18th century but the carving 'ice patterns' are most divine, the gilding is last century as is the old mirror work.



Friday, October 2, 2015

Hilaire Belloc's own writing box in the Urban_Archaelolgy Collection


Two pencil portraits in the Emma Belloc estate - those of Mr & Mrs Smith, by Ackermann of London




These two are encased in a tooled leather gate-fold case, under glass and were advertised and purchased a few years ago via Michael Allen's web page.
We have other cherished articles from the Hilaire Belloc estate.





Sharing another Georgian piece in the collection - William Rothery Esq., London "pitt club" badge




From a direct decendant of the famous catholic author - Hilaire Belloc. We have a copy of Miss Emma Belloc's eight page will detailing her jewellery and small effects when she lived at No. 49 Rowland Gardens, London. Her effects survived right down to her nieces who resided in Brisbane and when the last lady passed away a dealer friend purchased almost all of the estate.

The London Pitt Club badge to William Rothery Esq., is oval silver-gilt with a raised white enamel medallion on tinted ground glass, portrait by the famous Scotish gem engraver, James Tassie.
Originally issued to members at £1 16c. 6d., was supplied by Green and Ward of Ludgate Street.

Similar sold at the London Medal Company: product code LMC/2053 for £650.00

Purchased from Michael Allen Antiques, Brisbane - 2015.

Our jewellery collection is a living resource for ourselves and our commission clients

This item in the Urban_Archaeology Collection ticks all our interest boxes. Our research has shown the same piece sold in the UK, twice previously. 1) and 2) - Maker: Patrick Robertson. Edinburgh c1790.

A rare Georgian Scottish silver Helter Skelter Club Badge of plain oval form with tied ribbon and ring surmount, the face engraved with a crest of a heart with an arrow through it below the motto ‘Thus Far’. To Robt Campbell Original Member. The reverse with the instituted date 8th May 1790 and the initials D.W.B.C.





Further research on the Helter Skelter Club is supplied by Michael Allen:

Sir Walter Scott:  St Ronan’s Well (written c1823)
Thirdly, we may commemorate some ranting blades, who also came from the metropolis to visit Saint Ronan's, attracted by the humours of Meg, and still more by the excellence of her liquor, and the cheapness of her reckonings. These were members of the Helter Skelter Club, of the Wildfire Club, and other associations formed for the express purpose of getting rid of care and sobriety. Such dashers occasioned many a racket in Meg's house, and many a bourasque in Meg's temper. Various were the arts of flattery and violence by which they endeavoured to get supplies of liquor, when Meg's conscience told her they had had too much already. Sometimes they failed, as when the croupier of the Helter Skelter got himself scalded with the mulled wine, in an unsuccessful attempt to coax this formidable virago by a salute; and the excellent president of the Wildfire received a broken head from the keys of the cellar, as he endeavoured to possess himself of these emblems of authority. But little did these dauntless officials care for the exuberant frolics of Meg's temper, which were to them only "pretty Fanny's way"- - the dulces Amaryllidis iræ. And Meg, on her part, though she often called them "drunken ne'er-do-weels, and thoroughbred High-street blackguards," allowed no other person to speak ill of them in her hearing. "They were daft callants," she said, "and that was all - - when the drink was in, the wit was out--ye could not put an auld head upon young shouthers--a young cowt will canter, be it up-hill or down--and what for no?" was her uniform conclusion.

Tuesday, September 22, 2015

September 10 2015 - the type God who sacked the serif, has just passed away . . .



Adrian Frutiger - here.
I started as a designer counting spaces, (and lines) when specifying lino-type. We now just extend fonts digitally, he wanted to slant Univers more in the beginning.
I LOve the guy! RIP